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             Nicholas Brown 
            Stillness 
              - a tryptich 
            for unaccompanied choir (SSAATTBB) 
            duration: 5 minutes 
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       Born in 1974 near Liverpool, Nicholas Brown 
        graduated from Magdalen College, Oxford University with a First Class 
        Honours degree in Music in 1996. He later studied composition with Ned 
        Rorem in New York City (1996-8) before returning to England to study for 
        his doctorate at Oxford. 
         
        Nicholas has a particular interest in music that incorporates a theatrical 
        element, whether in works for voice, choir, opera or music for film. Much 
        of his concert music contains elements of theatre: The House of 
        the Hanged Man (1998), for example, recreates a rehearsal of the 
        music of deceased French composers and Henry and Johann 
        (2001) simulates an imaginary meeting between Bach and Purcell. 
       
      Nicholas Brown has featured in festivals on both sides of the Atlantic, 
        including the 2000 Huddersfield Contemporary Music Festival, the 2001 
        BBC Promenade Concerts and a festival of British Art in New York called 
        'UK-in-NY', sponsored by the British Council. Other performances of his 
        work have been given in a variety of venues from the Barbican Centre, 
        London and the National Gallery of Art, Washington to concert halls in 
        Tokyo and the Bahamas. 
         
        Large scale works include the opera Heart of a Dog (1998), 
        which was fully-staged in Manhattan in 1998, and two scores designed to 
        be played live with classic silent films: Lady Windermere's Fan 
        (2000) - released by the British Film Institute along with the 1916 film 
        in April 2001 (BFIV083) - and After Death - due for DVD 
        release in 2002. 
         
        Recent chamber performances include the London Premiere of The Lily-White 
        Rose (2000) at the BBC Proms by The Orlando Consort and Two 
        pieces concerning Time, written as part of the PRS Adopt-a-Composer 
        scheme for The Phoenix Singers of Shrewsbury, England. Nicholas has also 
        collaborated with a variety of talented young colleagues, including Martin 
        Rummel (dreamscape for cello and piano), saxophonist, Sarah Field and 
        completed short film scores for young directors including The Truck 
        (2001). The choir of Magdalen College, Oxford has regularly performed 
        work by Nicholas Brown, both at home and abroad, and made recordings of 
        his liturgical music, in addition to commissioning new work, such as the 
        recent carol, Mirabile Misterium (2001).  
         
        More information is available at http://www.nicholasbrown.co.uk 
      
      
      
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