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             Guy Newbury 
            May 
              for 
              soprano and tenor soloists, SATB choir and organ 
            duration: 7 minutes 
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      May 
        poem by Susan Hitch 
         
        May was written to a commission from 
        the Magdalen Singers for a work to mark their traditional May Eve concert 
        in 2000. The poem was also commissioned for the same occasion, and afforded 
        the composer the opportunity to work closely with the author. 
        In the event, the psychological shape of the poem was agreed before the 
        text had reached its final stanzaic form: a soprano solo, rising out of 
        the initial chorus, would emphasise the difficulties and trials of life 
        as the earth 'buds forth its pain', while it would be left to the tenor 
        soloist to assert the positive aspects of continued existence. The final 
        chorus combines with the soloists towards a reconciliation of these conflicting 
        views - a reconciliation which is inevitable, after all, in the face of 
        the march of natural forces. 
         
        Musically, May has been described 
        as 'combining traditional English choral idiom with modernism'; the text, 
        with its complex range of responses to the equinoxial season, is interleaved 
        between soli and chorus with a final apotheosis combining all elements. 
         
        May was first performed on April 30th 
        2000 by the Magdalen Singers with soloists Elena Lorimer and Mark Chaundy 
        conducted by Daniel Parkes. 
       
       
       Guy Newbury  was born in Inverness 
        in 1964 and educated there and at Magdalen College, Oxford. He has studied 
        composition with John Joubert, Jonathan Harvey and, most recently, with 
        John Casken. 
         
        Recent premieres of his work include: 
         
        Momentanea for orchestra (BBC Philharmonic / Martyn Brabbins, 
        Manchester, October 1995) 
         
        Cassation for chamber ensemble (Chamber Group of Scotland, 
        Aberdeen, October 1996) 
         
        Strandlooping for solo piano (Peter Lawson, Manchester, 
        1997) 
         
        Midnight for SATB and organ (Choir of Magdalen College, 
        Oxford, 1998) 
         
        Eclat du ciel for counter-tenor and piano (Daniel Parkes, 
        Oxford, 2000) 
         
        0 ombre vane, song-cycle for soprano and piano (Elena Lorimer, 
        Oxford, 2001) 
         
        Falaises for solo organ (Matthew Martin, Cheltenham Festival, 
        2001) 
      
      
      
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